Jon Gooch is a shapeshifter. Most people know him as the mastermind behind the dark, cinematic drum and bass of Spor, but when he puts on the green monster teeth as Feed Me, things get weird in the best way possible. If you’ve spent any time in a sweaty club or a massive festival field over the last decade, you've heard it. That glitchy, aggressive, yet surprisingly funky sound. And right at the heart of his high-energy discography sits "Git It." It’s a track that defines an era of "Complextro" and bass house while remaining stubbornly relevant today.
Looking for the Feed Me Git It lyrics usually leads people down a bit of a rabbit hole. Why? Because the track isn't a traditional song with verses, a bridge, and a soulful chorus about heartbreak. It’s a sonic assault. It’s a puzzle of samples and synthesized textures.
What Are the Feed Me Git It Lyrics Actually Saying?
Let’s be real for a second. If you try to sing along to "Git It" in your car, you probably sound like you’re having a mild glitch in your own matrix. The "lyrics" are primarily comprised of a chopped, pitched, and processed vocal sample that repeats the titular phrase: "Git it."
It’s simple. It’s effective. It’s a command.
The human voice in electronic music often serves as an instrument rather than a storyteller. In "Git It," Gooch uses the vocal to provide a rhythmic anchor. The phrase "Git it" (a stylized version of "get it") is looped and stuttered to match the 128 BPM driving force of the track. You aren't listening for a narrative; you're listening for the way the "G" sound hits the kick drum and how the "it" trailing off creates a pocket for the bass to explode.
The Art of the Minimalist Sample
A lot of producers overcomplicate things. They think they need a featured vocalist or a profound message to make a hit. Feed Me went the other way. By stripping the vocal down to a two-syllable hook, he ensures that the focus remains on the production. The production is where the real magic happens.
Think about the texture. The vocal isn't "clean." It’s been run through various distortions and filters, making it sound slightly metallic, almost robotic, yet it retains a certain "street" swagger. This is a hallmark of the Sotto Voce label era—music that feels like it was built in a laboratory but meant for the pavement.
Why This Track Became a Cult Classic
"Git It" was released as part of the Feed Me's Psychedelic Journey EP back in 2014. At that time, the EDM landscape was shifting. The "Big Room" sound was starting to feel a bit stale and repetitive. Fans were hungry for something with more grit, more complexity, and more personality.
Gooch delivered.
The track stands out because it bridges the gap between the heavy-hitting dubstep influence of the early 2010s and the rising popularity of house music. It has that signature Feed Me growl—a sound so distinct that you can usually identify a Gooch production within three seconds of the intro.
People obsess over the Feed Me Git It lyrics because the song feels like it should have more to say, but its silence on the "meaning" front is exactly why it works. It allows the listener to project their own energy onto the track. Whether you’re at the gym hitting a PR or at a festival at 2:00 AM, the command to "Git It" is the only motivation you actually need.
The Technical Wizardry Behind the Bass
If we look at the frequency spectrum of "Git It," it’s a masterclass in headroom management. Gooch is famously meticulous about his mixdowns. He doesn't just throw sounds together; he carves out space for every transient.
- The kick drum is tight and punchy, sitting right around the 50-60Hz range.
- The sub-bass follows the kick with surgical precision, creating a "wall of sound" effect without becoming muddy.
- The lead synths are incredibly bright, often utilizing FM synthesis to create those screeching, "talking" textures that complement the vocal sample.
It’s this "talking" quality of the synths that often confuses listeners. Sometimes the synth line itself sounds like it's mimicking the Feed Me Git It lyrics, creating a call-and-response dynamic between the human voice and the machine.
Comparing "Git It" to Other Feed Me Essentials
To really understand the context of these lyrics, you have to look at how Gooch handles vocals across his other projects.
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Take "Cloudburn," for example. That track features Tasha Baxter and has a full lyrical structure. It’s emotional, ethereal, and soaring. Then look at "One Click Headshot." That track uses a very specific vocal sample from a viral gaming video ("My hands are shaking, but I'm still getting headshots!").
"Git It" falls right in the middle. It’s more abstract than "One Click Headshot" but more aggressive than his vocal-heavy tracks. It represents the "pure" Feed Me sound—the sound of the character itself. If the little green monster had a voice, it would probably just repeat "Git It" while destroying a city.
The Impact of the Sotto Voce Aesthetic
When Feed Me launched his own label, Sotto Voce, it was a declaration of independence. He wanted to move away from the "pop-EDM" machine. The lyrics in his tracks during this era became more about rhythm and less about radio-friendliness. "Git It" is the poster child for this movement. It’s unapologetic. It’s weird. It’s designed for people who actually care about the nuances of sound design.
How to Experience "Git It" Today
Even years after its release, "Git It" remains a staple in bass music sets. If you’re a DJ, it’s a secret weapon for transitioning from house into more experimental territories. The vocal hook is so recognizable that even if the crowd doesn't know the track name, they’ll be chanting the Feed Me Git It lyrics by the second drop.
For the casual listener, the best way to hear it is on a high-quality sound system or a pair of studio-grade headphones. Laptop speakers simply cannot reproduce the sub-harmonics that make this track "breathe." You need to feel the displacement of air to get the full experience.
Common Misconceptions About the Lyrics
There is a persistent rumor on some old lyric forums that there are more hidden words in the background of the breakdown. Some people claim they hear phrases like "keep it moving" or "watch the drop."
Honestly? It’s mostly auditory pareidolia.
Our brains are wired to find patterns in noise. Because the synths in "Git It" are so harmonically rich and move in ways that mimic human speech patterns (vowel oscillators, formant filters), we "hear" words that aren't actually there. Gooch is a wizard at using these "vocaloid" synth techniques to trick your ears.
Actionable Takeaways for Bass Heads and Producers
If you’re inspired by the simplicity and power of the Feed Me Git It lyrics, there are a few things you can do to bring that same energy into your own playlists or productions.
First, stop looking for deep meaning in every vocal. Sometimes, the phonetics of a word are more important than its definition. If a word sounds cool when it’s bit-crushed, use it.
Second, study the "swing" in this track. "Git It" isn't perfectly on the grid. There’s a slight humanization to the percussion that gives it a "wonky" feel, which is a big part of why it feels so "human" despite being entirely electronic.
Finally, explore the rest of the Feed Me's Psychedelic Journey EP. Tracks like "Alarm Clock" and "Lonely Mountain" provide a broader context for the soundscapes Gooch was building at the time. "Git It" is the high-energy peak of that journey, but the rest of the EP shows the depth and variety of his technical skill.
To truly appreciate "Git It," stop trying to transcribe it. Just listen to the way the vocal interacts with the grit of the bassline. Turn it up until the walls rattle. That's the only way to "get it."
Your Next Steps in the Feed Me Discography
To go deeper into this specific style of production, start by analyzing the "Calamari Tuesday" album. It’s widely considered one of the best electronic albums of the 2010s and features several tracks that use minimalist vocal sampling in a similar vein to "Git It."
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From there, jump into his more recent work, like the 2019 "High Street Creeps" album. You’ll notice how his use of vocals has evolved from simple rhythmic stabs to more complex, multi-layered textures.
If you're a producer, try this: record yourself saying a single two-syllable phrase. Pitch it down an octave, add a grain delay, and a heavy dose of OTT compression. See if you can make your own version of a "Git It" hook. You'll quickly realize how much skill it takes to make something so simple sound so massive.