The Movie Knowing With Nicolas Cage: Why That Ending Still Divides Us

The Movie Knowing With Nicolas Cage: Why That Ending Still Divides Us

Honestly, I still think about the plane crash scene. You know the one. Nicolas Cage, looking haggard in an MIT jacket, runs across a highway as a massive passenger jet clips the power lines and belly-flops into a field. It’s loud. It's visceral. It’s filmed in what looks like one continuous, chaotic shot.

For a movie released in 2009, Knowing had no business being that intense.

But that’s the thing about the movie Knowing with Nicolas Cage. It’s a film that starts as a grounded, somewhat creepy mystery and slowly descends—or ascends, depending on your vibe—into a full-blown existential crisis. It’s a disaster flick that isn't just about things blowing up. It’s about the terrifying possibility that everything is predetermined and there's absolutely nothing you can do to stop it.

What Actually Happens in the Movie Knowing?

The setup is classic sci-fi. In 1959, a bunch of elementary school kids draw pictures of the "future" to put in a time capsule. While the other kids are drawing rocket ships and stick-figure families, a girl named Lucinda Embry goes full "A Beautiful Mind" and fills her page with a massive grid of random numbers.

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Fifty years later, the capsule is opened.

Cage plays John Koestler, an astrophysics professor who’s basically a walking cloud of grief. He lost his wife in a fire, and he’s raising his son, Caleb, alone. When Caleb ends up with Lucinda’s paper, John starts looking at the numbers over a glass of whiskey. He realizes they aren't random. They’re dates. They’re death tolls. They are the exact GPS coordinates of every major disaster from the last five decades.

The Oklahoma City bombing? On the list. 9/11? On the list.

The problem is, there are three dates left. And the last one doesn't have a number. It has two letters: EE.

Why the Ending is So Polarizing

You can’t talk about the movie Knowing with Nicolas Cage without talking about that final act. Most disaster movies follow a formula: the hero finds the problem, the hero tries to stop the problem, and in the final five minutes, the hero saves the world with a clever plan or a big explosion.

Knowing doesn’t do that.

Director Alex Proyas—the guy who gave us The Crow and Dark City—decided to take a hard left turn into "Ancient Astronaut" territory. It turns out "EE" stands for "Everyone Else." A massive solar flare is coming to literally cook the planet. No bunker is deep enough. No government plan can stop it.

Then the "Whisper People" show up.

Throughout the film, these creepy guys in trench coats have been following Caleb. At the end, they reveal themselves as extraterrestrial beings (or angels, depending on how religious you want to get). They aren't here to save Earth. They’re here to collect "the chosen" to restart humanity on another planet.

And John? He’s not on the list.

Watching Nicolas Cage realize he has to say goodbye to his son so the boy can survive while the rest of the world burns is... heavy. It’s a gut-punch that a lot of people hated. They wanted a happy ending. Instead, they got a CGI sequence of New York City being vaporized.

Roger Ebert and the Great Defense

Most critics were pretty harsh on the film. They called it "preposterous" and "silly." But Roger Ebert? He loved it. He gave it a full four stars.

Ebert argued that the film was "expert and confident storytelling." He didn't care if the science was wonky or if the twist was bizarre. To him, the movie worked because it dared to be about something bigger than just special effects. It was a "spiritual quest" for a man who started the movie believing the universe was just a series of random, meaningless accidents.

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The Science (or Lack Thereof)

If you’re a solar physicist, you probably want to throw your remote at the TV during this movie.

  • The Flare: In the movie, the solar flare is depicted as a wall of fire that strips the atmosphere and melts concrete instantly. In reality, a flare that big would be catastrophic, but the Sun is actually quite stable.
  • The Warning: Scientists in the film seem to realize the Sun is "going crazy" only days before it happens. Real-life agencies like NOAA monitor this stuff 24/7.
  • The Heat: There’s a scene where John tells his dad it’s "about to get hotter." If the Sun were putting out enough energy to destroy Earth in 24 hours, we’d probably know a lot sooner.

But honestly? Accuracy isn't the point here. It’s about the dread.

Where to Watch and What to Do Next

If you haven't seen the movie Knowing with Nicolas Cage in a few years, it’s worth a re-watch, especially now that we’re more obsessed with "prepper" culture and apocalyptic scenarios than we were in 2009.

The film currently floats around various streaming platforms like Max or Peacock, and it's always available for rent on Amazon or Apple.

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Actionable Takeaways for Your Next Movie Night:

  • Watch for the Foreshadowing: Look at the "Whisper People" early on. They are hidden in the background of several scenes before they become central to the plot.
  • Check out the "One-Take" Scenes: The plane crash and the subway derailment are masterclasses in tension. Pay attention to how Proyas uses long takes to keep you in the middle of the disaster.
  • Listen to the Score: Marco Beltrami’s soundtrack is what makes the movie feel like a horror film rather than just a sci-fi thriller.
  • Pair it with Dark City: If you like the vibe of this movie, watch Alex Proyas’ earlier work. You’ll see the same themes of hidden observers and manufactured realities.

The movie Knowing with Nicolas Cage remains one of the weirdest big-budget movies of the 2000s. It’s bleak, it’s weirdly religious, and it refuses to give the audience a "win." Whether you think it’s a masterpiece or a mess, you can’t deny that it’s memorable. It’s a film that stays with you long after the screen goes black and the world (at least on screen) ends.