Kate Bush is having a moment. Again. It feels like every few years, the world collectively remembers she’s a genius. But if you’ve been scouring the internet for Hounds of Love مترجم, you’re probably finding that a literal translation of the words doesn't even scratch the surface of what this album actually is.
It’s weird. It’s haunting.
Released in 1985, Hounds of Love isn't just a collection of songs; it’s a two-sided epic that basically redefined what a female artist could do in a male-dominated studio system. When people search for the translated lyrics or the "meaning" behind the Arabic subtitles for the songs, they often get stuck on the surface-level metaphors of "running up hills" or "dogs chasing people." But there is so much more to it than that. Honestly, the translation of the title itself—Hounds of Love—is a bit of a trick. It sounds aggressive. Primal. And it is.
The Two Faces of Hounds of Love مترجم
The album is split. You've got the first side, which is the "hits," and then there's the second side, "The Ninth Wave."
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If you’re looking for Hounds of Love مترجم because you want to understand "Running Up That Hill (A Deal with God)," you’re essentially looking at a song about empathy. Kate Bush once explained in an interview with the BBC that the song is about a man and a woman who can't understand each other. They want to swap places. They want to make a deal with God to trade lives just for a second. It's not about religion in the way people think. It's about the frustration of human limitation.
Then you hit the title track. "Hounds of Love."
It starts with that famous line: "It's in the trees! It's coming!" That’s actually a sample from a 1957 British horror film called Night of the Demon. When you translate this for an Arabic-speaking audience, the cultural context of that specific British "folk horror" vibe often gets lost. The "hounds" aren't literal dogs. They represent the fear of falling in love. The fear of being chased by something that will eventually consume you. It's terrifying. It's also beautiful.
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Why "The Ninth Wave" Is Hard to Translate
The second side of the record is a conceptual suite. It’s about a person drifting alone in the ocean at night. Total isolation.
- "And Dream of Sheep" is the beginning of the drift.
- "Under Ice" is the claustrophobia of being trapped.
- "Waking the Witch" is a fever dream of a trial.
Translating these lyrics isn't just about finding the right Arabic words for "water" or "cold." It’s about capturing the Victorian literary influences Kate was obsessed with. She was reading Tennyson. She was thinking about the Pre-Raphaelite painters. If a translation doesn't convey the sense of a hallucination, it’s failing the listener.
The Technical Brilliance Nobody Mentions
Most people talk about her voice. Sure, it’s iconic. But Kate Bush produced this album herself. In 1985, that was basically unheard of for a woman in pop. She used the Fairlight CMI, which was one of the first digital sampling synthesizers.
When you hear those strange, metallic thuds or the layered vocal loops in "Watching You Without Me," that’s the Fairlight. It cost about £30,000 back then—the price of a house. She hunkered down in her family barn and built a studio because she was tired of male producers telling her how she should sound.
That’s the "mترجم" (translated) context people need. The album is an act of defiance.
The Search for Meaning in the Arabic Community
Why is there a sudden spike in people looking for Hounds of Love مترجم? Part of it is Stranger Things, obviously. That show put Kate Bush back on the global map. But for Arabic listeners, there’s a deep appreciation for the theatrical and the poetic.
Arabic poetry is often layered with metaphors of nature, longing, and the metaphysical. Kate Bush fits right into that. When she sings about "Cloudbusting," she’s talking about Wilhelm Reich, a controversial psychoanalyst who claimed he could make it rain with a machine. It’s a song about a son’s love for his father. It’s tragic because the father is taken away by the government.
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If you just look at the literal translation, you miss the politics. You miss the pain.
What You Should Do Next
If you want to truly experience Hounds of Love, don't just read a lyric sheet. You need to understand the structure.
- Listen to Side A (The Hounds of Love) as a study in 80s pop perfection. It’s energetic. It’s about the external world.
- Listen to Side B (The Ninth Wave) in the dark. No distractions. This is the internal world. It’s a journey through the subconscious.
- Watch the "Cloudbusting" music video. It stars Donald Sutherland. It’s basically a short film and explains the narrative better than any dictionary ever could.
- Research the Fairlight CMI. Understanding how the sounds were made changes how you hear the "texture" of the music.
The real "translation" of Kate Bush isn't linguistic. It’s emotional. It’s about that feeling of being caught between being a human and being something much more wild. Whether you're listening in London or Cairo, that feeling is exactly the same.
To get the most out of your search for Hounds of Love مترجم, focus on the The Ninth Wave section first. The lyrics there are more abstract and rely heavily on atmospheric storytelling, which often provides the most "lost in translation" moments for new listeners. Start with "Hello Earth"—it uses a traditional Georgian choral piece ("Zhinvelos") that adds a layer of global folk mystery to the entire experience. This isn't just pop music; it's a cross-cultural tapestry that requires a bit of digging to fully appreciate.