Why The Code Australian TV Show Is Still The Smartest Thriller You Haven't Seen

Why The Code Australian TV Show Is Still The Smartest Thriller You Haven't Seen

If you’re tired of the usual police procedurals where the DNA results come back in five minutes and everyone looks like a supermodel, you need to talk about The Code Australian TV show. Honestly, it’s one of those rare gems that actually respects your intelligence. It doesn't hold your hand.

It starts with a crash. A remote Outback road. Two Indigenous kids in a stolen car collide with a truck. But it’s not just an accident. It’s the spark that lights a fire reaching all the way to the sterile, high-stakes corridors of Parliament House in Canberra. This isn't just a "hacker show." It's a sprawling, messy, deeply human look at how information is the new currency and how easily people get crushed by the gears of the state.

What Actually Happens in The Code

The heart of the story belongs to the Banks brothers. Ned is a journalist—hungry, slightly cynical, and trying to find a story that matters in a digital landscape that prefers clickbait. His brother, Jesse, is a brilliant hacker with autism who has already had a run-in with the law. They are codependent in a way that feels incredibly real and, at times, heartbreaking.

When Ned receives footage of that Outback crash, he thinks he has a scoop about a cover-up. He doesn't realize he's tugging on a thread connected to a secret research facility and a geopolitical conspiracy involving international tech interests.

The show is split. One half is a gritty, dust-blown mystery in the town of Lindeman. The other is a slick, cold political thriller in the nation's capital.

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Most political dramas feel fake. This one doesn't.

Writer Shelley Birse spent an immense amount of time researching the intersection of journalism and government secrecy. The result is a narrative that feels terrifyingly plausible. It’s about the "code" of silence, the "code" written in binary, and the moral "code" we choose to live by when things go south.

The Brilliance of Ashley Zukerman and Dan Spielman

We have to talk about the acting. Dan Spielman plays Ned with a frantic, protective energy. But Ashley Zukerman as Jesse Banks? That’s the performance of a lifetime.

Usually, TV portrays neurodivergence as a "superpower" or a burden. Zukerman avoids all those tired tropes. Jesse is brilliant, yes, but he’s also vulnerable, stubborn, and deeply affected by his sensory environment. The way the show visualizes Jesse's hacking isn't through silly "Matrix" green rain. It’s through layered data overlays that mimic his hyper-focused thought process. It’s elegant. It’s different.

Why the First Season Hit So Hard

Back in 2014, when it first aired on ABC (the Australian version, not the US one), the world was still reeling from the Snowden leaks. The Code Australian TV show captured that specific anxiety perfectly. It asked: who owns our data? And more importantly, what will they do to keep it?

The pacing is relentless.

It moves from the red dirt of the desert to the gray concrete of Canberra without missing a beat. You have Lucy Lawless—yes, Xena herself—showing up as a schoolteacher in the Outback who knows more than she’s letting on. Then you have David Wenham as a ruthless political fixer. The cast is stacked.

One of the best things about the show is the cinematography. Australia is often filmed as a sun-drenched paradise. Here, it’s beautiful but ominous. The emptiness of the desert feels just as claustrophobic as a locked room in a government building.

It won a pile of AACTA Awards, including Best Drama Series. It deserved every single one of them.

The Pivot of Season Two

A lot of fans were nervous when a second season was announced. How do you follow up a self-contained conspiracy?

They did it by broadening the scope. Season 2 dives into the dark web, child exploitation, and the murky world of arms dealing. It brings the Banks brothers back into the fold when the government essentially blackmails Jesse into helping them track down a brilliant, dangerous programmer.

It’s darker. Maybe a bit more cynical.

But it maintains that core relationship between Ned and Jesse. That’s the anchor. Without it, the show would just be another tech-thriller. With it, it’s a tragedy about two brothers trying to survive a world that wants to use them and then throw them away.

Realism Over Spectacle

Let’s be real: most "hacking" on TV is laughable. Someone hits three keys and says, "I'm in."

The Code Australian TV show takes a different approach. It emphasizes the social engineering, the patience, and the sheer technical drudgery involved in breaking through high-level security. Jesse isn't a magician. He’s a guy who sees patterns others miss.

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The show also nails the "Canberra vibe." If you’ve ever been there, you know it’s a city of circles, shadows, and quiet conversations in bars that have seen too many secrets. It’s the perfect setting for a story about people who think they are in control until they realize they are just pawns.

What Most People Get Wrong About the Show

A common misconception is that this is just a local Australian version of 24 or Homeland.

It’s not.

It’s much more patient. It’s more interested in the psychological toll of whistleblowing than it is in explosions. There are no high-speed car chases through downtown Sydney. Instead, there are tense conversations in parked cars and the constant, creeping feeling of being watched through a webcam.

It’s about the loss of privacy. It’s about how once you see the truth, you can’t unsee it.

The Legacy of The Code

Even though it’s been a few years since it wrapped up, its themes are more relevant now than ever. We live in an era of deepfakes, state-sponsored cyber warfare, and the erosion of the free press.

When you watch the show today, it doesn't feel like a period piece from the mid-2010s. It feels like a warning.

The show also paved the way for other high-end Australian dramas to find international audiences on platforms like Netflix and Amazon. It proved that you could make a local story with global stakes. It didn't try to "Americanize" itself. It stayed uniquely Australian, from the slang to the specific political tensions between the federal government and remote Indigenous communities.

Why You Should Binge It Right Now

Honestly, life is short and there is too much "meh" TV out there.

If you want something that makes you lean toward the screen, something that makes you rethink how you use your phone, this is it.

  • The Characters: You will genuinely care if Jesse and Ned survive.
  • The Stakes: It’s not just about "saving the world"—it’s about saving a family.
  • The Atmosphere: It’s moody, stylish, and incredibly immersive.

Actionable Insights for Fans and New Viewers

If you’re diving into The Code Australian TV show for the first time, or if you’re looking for more like it, here is how to get the most out of the experience:

Pay attention to the background. The show uses a lot of visual storytelling. The way screens are framed and the use of reflections often tell you more about the characters' mental states than the dialogue does.

Watch Season 1 and 2 as a complete arc. While they have different plots, the character development of Jesse Banks across the twelve episodes is one of the most satisfying journeys in modern television.

Look for the creators' other work. If you like the "vibe" of this show, check out Total Control (starring Deborah Mailman). It has a similar political bite and explores the complexities of power in Australia with the same uncompromising lens.

Don't skip the credits. The music and the visual design of the opening titles set the tone perfectly. It’s all about the interconnectedness of things—the wires under the street, the signals in the air, and the people caught in the middle.

The show reminds us that every "code" can be broken, but some things—like the bond between brothers—should stay intact no matter how much pressure is applied. It’s a masterclass in tension. Go find it. Watch it. Then try to tell me it isn't one of the best things to ever come out of the southern hemisphere.