Why You Should Watch Baahubali The Beginning Right Now

Why You Should Watch Baahubali The Beginning Right Now

It changed everything. Honestly, before 2015, Indian cinema was largely seen through the lens of Bollywood—glossy Mumbai productions with catchy songs. Then S.S. Rajamouli dropped a massive stone into the pond. That stone was a fantasy epic that didn't just break records; it shattered the glass ceiling of what South Indian cinema could achieve on a global scale. If you've been sitting on the fence, deciding whether to finally watch Baahubali The Beginning, you're missing out on a cultural pivot point. It isn't just a movie. It’s a 159-minute fever dream of muscle, myth, and some of the most audacious cliffhangers in film history.

Let's be real for a second. Most "epics" feel like they're trying too hard to be Lord of the Rings or Game of Thrones. Baahubali is different because it feels deeply, unapologetically rooted in Indian Puranic storytelling. It’s got that Shakespearean weight. You have brothers pitted against each other, a kingdom in peril, and a hero who can literally lift a monolithic stone deity on his shoulders. It’s loud. It’s colorful. It is, quite frankly, exhausting in the best way possible.

The Massive Scale That Redefined Indian Cinema

When people talk about why you need to watch Baahubali The Beginning, they usually start with the visuals. And yeah, they’re big. But it’s the intent behind the visuals that matters. S.S. Rajamouli spent years in pre-production. We’re talking about a budget of roughly ₹180 crore (about $28 million USD at the time), which was unheard of for a Telugu film back then.

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The story follows Shivudu, a young man raised in a tribal village at the foot of a gargantuan waterfall. He’s got this inexplicable urge to climb it. He’s obsessed. When he finally makes it to the top, he discovers he’s actually the heir to the kingdom of Mahishmati. But Mahishmati isn't a happy place. It’s ruled by the tyrannical Bhallaladeva, played with terrifying, veiny intensity by Rana Daggubati. Shivudu—who we later learn is the son of the legendary Amarendra Baahubali—has to navigate a world of ancient blood feuds and massive armies.

The set design alone involved thousands of sketches. Sabu Cyril, the production designer, didn't just build sets; he built a world. They created functional weaponry and massive statues that actually looked like they belonged in a bronze-age fantasy. It’s this texture that makes the CGI—which, let's be honest, has a few "video game" moments—completely forgivable. You’re so invested in the world-building that you don't care if a digital bull looks a little shiny.

Why the "Baahubali Mania" Still Matters in 2026

You might think you’ve missed the boat. You haven't. The "Pan-India" trend that we see today with movies like RRR, Pushpa, or Kalki 2898 AD basically started right here. Before this, actors stayed in their linguistic lanes. Prabhas was a huge star in Telugu cinema, but after people started to watch Baahubali The Beginning across the globe, he became a household name from New York to Tokyo.

The film did something rare. It bridged the gap. It didn't matter if you spoke Telugu, Tamil, Hindi, or Malayalam. The emotions were universal. Betrayal is betrayal in any language. A mother’s sacrifice—personified by the legendary Ramya Krishnan as Sivagami—needs no translation. When she holds a baby above the swirling waters of a river while she drowns, it’s one of the most iconic opening frames in cinema history. It tells you everything you need to know about the stakes.

Understanding the Mahishmati Politics

The heart of the movie isn't the fights. It’s the loyalty. Specifically, the loyalty of Kattappa.

Sathyaraj plays Kattappa, a slave-warrior bound by an oath to protect the throne of Mahishmati, no matter who sits on it. He’s the most complex character in the whole saga. He loves the Baahubali family, yet he serves their enemy. This brings us to the "spoiler" that gripped the world for two years: Why did Kattappa kill Baahubali? If you haven't seen it yet, that question probably sounds like a meme. But back in 2015, it was a legitimate cultural phenomenon. People were writing Ph.D.-level theories about it. Watching the first film now, knowing that the mystery exists, adds a layer of tension to every scene Kattappa is in. You’re looking for clues. You’re trying to read his eyes. It makes the viewing experience interactive in a way most action movies aren't.

The Kalakeya War: A Masterclass in Choreography

The final 45 minutes of the film is essentially one giant battle. It’s the Mahishmati army versus the Kalakeyas, a barbarian tribe with their own invented language (Kilikili, created by Madhan Karky).

Most directors get lost in the chaos of large-scale battles. They use shaky cams and quick cuts to hide the fact that they don't know where the characters are. Rajamouli doesn't do that. He uses geography. You know exactly where Baahubali is in relation to Bhallaladeva. You see the tactical innovations—like using giant cloths soaked in oil as fire-bombs. It’s clever. It’s visceral. It feels like a high-stakes chess match played with ten thousand people.

The contrast between the two leads is also brilliant. Amarendra Baahubali (Prabhas) fights to protect his soldiers. Bhallaladeva fights only for the kill. It’s a classic study in leadership. One uses inspiration; the other uses fear.

Technical Prowess and the Soundtrack

The music by M.M. Keeravani is the secret sauce. "Dhivara," the track that plays during the waterfall climbing sequence, is an absolute earworm. But it’s the background score that does the heavy lifting. It uses heavy percussion and Sanskrit chants to make everything feel "older" and "bigger."

  • Cinematography: K.K. Senthil Kumar used the Arri Alexa XT, making the colors pop in a way that feels like a comic book brought to life.
  • VFX: Makuta VFX and several other studios worked on this. While Hollywood budgets are 10x higher, the creativity here stretches every dollar.
  • Stunt Design: Peter Hein coordinated the fights, blending traditional Indian martial arts with grand-scale cinematic flair.

It’s worth noting that the film isn't perfect. Some of the romantic subplots in the first half feel a bit dated, and the pacing slows down significantly during the "Manohari" song sequence. Some viewers find the portrayal of Avanthika (Tamannaah Bhatia) a bit polarizing—she starts as a fierce warrior but quickly transitions into a more traditional romantic interest. These are fair criticisms. But in the context of the larger-than-life narrative, these are small speed bumps on a very exciting highway.

How to Best Experience Baahubali

If you’re going to watch Baahubali The Beginning, don't do it on a phone. Please. This movie was built for the biggest screen possible. If you have a decent home theater setup, crank it up.

The film is available on various streaming platforms like Netflix (usually the Hindi dubbed version) and Disney+ Hotstar or Amazon Prime (often the original Telugu version). If you can handle subtitles, I always recommend the original Telugu audio. There’s a rhythmic quality to the original dialogue that dubbing sometimes flattens out. The "grandeur" of the language matches the grandeur of the visuals.

Actionable Steps for the First-Time Viewer

Don't treat this like a standard Friday night movie. It’s an investment.

First, clear your schedule. This is part one of a two-part story. You will want to watch Baahubali 2: The Conclusion immediately after the credits roll on the first one. The cliffhanger is brutal.

Second, pay attention to the statues and the architecture. The film uses visual motifs to tell you who is in power. The rising of the gold statue of Bhallaladeva is a pivotal moment that contrasts sharply with the humble, mud-caked origins of Shivudu.

Third, look into the "Kilikili" language. It was the first time an Indian film created a functional fictional language, much like Dothraki or Klingon. It adds a layer of "otherness" to the villains that makes them genuinely unsettling.

Finally, keep an eye on the side characters. Actors like Nasser (as Bijjaladeva) give performances that are so Shakespearean and slimy you’ll find yourself shouting at the screen. The acting isn't "subtle," but it’s perfect for this genre. It’s operatic.

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Once you finish, you’ll understand why the phrase "Jai Mahishmati" became a viral sensation. You'll see the DNA of this movie in almost every big-budget Indian action film released in the last decade. It didn't just set the bar; it built the stadium. Go find the biggest screen you can, turn the volume to a slightly irresponsible level, and dive in. You’re in for a ride.